r.i.o. begrüßt kxb, alias sam gill und wes holland, ein duo, das, wie sie selbst sagen, auf dem balkon des robert johnson im jahr 2019 geboren und getauft wurde.

this is the white blue cover ! rare special sleeve edition - the 2013 lady gaga album on 180 gram double vinyl, housed in a gatefold, 2023 cover artwork

secret weapons nr 14 on 4lp

limited edition stars revolt / coke clear w/bright yellow streaks 1-lp holland !

holland xmas

land of the drums ist eine einzigartige mischung aus natürlichen tiergeräuschen im rhythmus und einem treibenden dance percussion beat. der produzent neftali santiago (ehemaliger drummer von mandrill) war 1980 ein sample-pionier. alle tiergeräusche wurden mit einem melotron (erster sampler mit analogen tapeloops) eingespielt. die single war nur als promo erhältlich und erregte in holland viel aufmerksamkeit, z.b. als radiosong in der legendären radiosendung soul show mit ferry maat. die promo-exemplare werden wegen der sammelleidenschaft der djs für bis zu 85 dollar pro stück verkauft. heutzutage gibt es immer noch eine nachfrage nach der platte.

limitierte auflage von 300 stück auf rot/schwarzem vinyl im klappcover, gesellschaftsspiel und downloadcode inklusive.

quantic aka will holland

needs - not for profit moves into the future of vinyl production partnering with green vinyl records in holland to produce the worlds first 100% recyclable record.

the 2006 album from frank black available on vinyl for the first time. pressed on translucent 140 gram double vinyl.

gregory porter’s sixth studio album “all rise” marks a return to his beloved original songwriting. the limited half-speed mastered triple vinyl with 2 bonus tracks is housed in a tri-fold sleeve, signed by the artist.

gregory porter’s sixth studio album “all rise” marks a return to his beloved original songwriting. the limited blue triple vinyl with 2 bonus tracks is housed in a tri-fold sleeve.

gregory porter’s sixth studio album “all rise” marks a return to his beloved original songwriting. the black double vinyl is housed in a gatefold sleeve.

with full sleeve.. anthony bernardo delivers a shockingly good follow up to that luchesi belter on full dose that combines dub with the stark detroit minimalism of andre holland or terrence dixon

two cuts from moon kings voice of lovers re-imagined by sobo friends and family

the 2013 lady gaga album on 180 gram double vinyl, housed in a gatefold

third in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

fifth in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

manchas personal favourite pack tracks on this frustrated funk / sd records split release. kaalslag zuid-holland, pump or drown!

incl. oliver dollar & stefan braatz remix

joannes ist hier mit einem frischen sound aus dem norden von holland.

limited vinyl release of the new ghostface killah album. comes with download code included.

2nd mosaic release on their new ltd series, this time a split ep with steve o sullivan on side a and roger gerressen on side b - steve o sullivan is well know from his classic releases on mosaic, sushitech, bluespirit, ongaku musik ...his style is very unique dub techno , basic channel influenced sound - roger gerressen is a popular dj and producer from holland (nijmegen) ... aka gasometric run , monoaaware, he also has released on sushitech, wolfskuil, sudden drop, fasten musique, appareal music, fear of flying, nilla, joule imprint, tartouffe, irenic ... his musical sound is a great variety from deep house , minimal to dub techno...

limited edition of 150 hand numbered copies with screen printed artwork.
this is what happened when keimpe koldijk (one half of bebe fang) and wouter venema (musician and visual artist) locked themselves up during the summer 2011 in a 14th century church in the village of blessum. this frisian village, in the northern part of holland, consists of less then 100 inhabitants. in this tranquil and withdrawn environment the musicians recorded their improvisations on the church organ (which is the second oldest in europe)... accompanied with subtle electronics and a few other instruments... the result is a stunning experience of free spirited music ... meditative soundscapes, lo-fi ambient music and drones including accidental recorded sounds of the surroundings during the sessions... all of this has a charming lo-tech and -live- feeling which only enhances the listening experience... turn off the lights, light a candle (or a few), lie down and let go.

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

30+ minutes of life affirming ambient and drone coming from zen zsigo, otherwise known for his work under the cremation lily alias and as one of the spearheads of the current uk tape scene, where he has been mixing things up for 7 years via his strange rules label. winter orbit was inspired by science fiction and its relation to modern life, recorded in 2015 using a mix of both modern and archaic equipment it was later released on belgian tape label audio. visuals. atmosphere. on an initial run of 33 tapes. winter orbit is now newly presented via an expanded re-issue, chronicling the original material, re-issued on one side (fragments in hologram snow) while showcasing new material (for artifice rose) which was created in response to the initial release by zsigo in 2017. as usual, remastered and cut @ dubplates and mastering, berlin and pressed at record industry, holland to ensure optimum listening quality.

dubbed by igloo magazine as the -romanian detroit electro/techno pioneer- and by the late aaron carl as -the romanian underground resistance himself-, andrew red hand from romania s spiritual capital of lasi stands up as an unwavering militant of the underground, a true detroit spirit possessed as romanian humanoid! from his early gigs throwing parties as one of the first generation djs in lasi since 1997, arh continues to break boundaries as part of the romanian resistance scene and numerous time portals as they open around europe. his blistering, mind-bending sets such as at berlin s tresor and griessmuehle see the dj with the red hand fuse pure detroit electro and techno with the sounds of techno-bass, raw chicago acid house, classics and futuristic beats. his mixes for radio ur (underground resistance) and the grid (detroit techno militia) remain some of the best frequency transmissions to surface to air. armed with a soviet union reel to reel majak 203, his scorching raw analogue and searing acid productions have been picked up by foundational detroit labels such as twilight 76, matrix, detroit underground, databass, detroit techno militia, cratesavers intl, visillusion as well as around the world from holland s iconic m>o>s recordings to 1Ø pills mate (lobster theremin), bass agenda and land of dance. on his remix list includes work for scan 7, santonio echois, thomas barnett, sean deason, niko marks, six foe, t.linder and more while support from anthony shake shakir, dj bone, dave clarke, dj godfather has been garnered for our sonic warrior... beware of the red hand!

a new optimo music disco plate and the debut release from feon. when these tracks first came my way i instantly knew they were ripe for a release on the label. original, idiosyncratic, full of imagination and featuring a couple of dancefloor hits, how could i resist? ’also, “the sun is high” was surely destined to become a sun-blissed summer anthem.

a native of the caribbean coast of colombia, abelardo carbono achieved legendary status in his country’s storied ranks of musical icons by combining the homegrown sounds of cumbia with the chiming guitars of west african soukous, enormously popular with the local tropical sound systems, and drenching the whole thing in his off-kilter, surreal and slightly psychedelic sensibility.
with the exception of a well-received compilation of songs from his 1980s heyday, carbono has been rarely heard from outside the sweaty dancehalls he still commands in his hometown of barranquilla. now, names you can trust has welcomed the reclusive guitarist and singer back to the vinyl format with a simmering afro-carib beast of a cut, recorded with the assistance of will -quantic- holland on rhythm guitar and mario galeano frente cumbiero, ondatropica on keys and in conjunction with lucas silva of palenque records & polen records. it’s a true cross-generational and international collaboration that is uniquely possible via colombia. the first release of this expansive & power packed studio session is a cover of vallenato pioneer guillermo buitrago’s la piña madura. this updated take veers heavily towards africa on a rock solid foundation of bass and drums, with abelardo’s trademark guitar and quirky vocals leading the way.

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

part 3 of the soul of the automaton series. this is soulful techno, electro with subtle ambient elements and idm echoes, touching the more experimental side of music here and there. bunnik has not completely severed his links with the past but he is unafraid of the future. this is again emotive, futuristic, concise, dissonant utopian glitch music that s equally as good for the club as it is for the soul. constructed on the west coast of holland in the harbour city of rotterdam.

famous for their matching, colourful suits and always-happy smiles, beyaz kelebekler (white butterflies) were a mixed-gender turkish band very popular during the 70s. they released one album plus numerous 45s in turkey and other countries like holland and italy. in 1976 during the last day of their european tour, just after one gig in cologne, beyaz kelebekler visited a studio of a friend which was still in construction. they decided to record a few songs, just for fun and for testing the new studio equipment. it was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine. the result was an amazing example of anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals. unreleased until now, here is the first ever release of these surprising recordings, rescued from the only surviving cassette tape.

obscure dutch private pressing from 1977. laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / latin-indigenous touches. stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics. much in the vein of the experimental-underground scene of france & germany during the early 70s but actually recorded and released in holland.

the untitled was already present on the -unruhe- compilation... this one man project is located in the north of holland far away from trends and hypes... and so is his music... the ingredients are evident: a pounding bassdrum, screaming synths, ear-splitting acid lines and distorted hi-hats. the result: disturbing and intense techno and acid... music that you can also call post-hardcore, tekno or acid core... and for sure sounds that could also interest fans of industrial music... or anybody interested in extreme sounds...

dionne warwick is one of the most classic and iconic soul singers of all time. over her career she has recorded a string of hits and a legacy of music of outstanding quality. “move me no moiuntain” was first released in 1975 on warner brothers and has since become her most played song on the ‘modern soul’ scene. “(i’m) just being myself” comes from an earlier album (1973) produced by holland-dozier-holland’, a connoisseur soul track gaining support in recent years.

straight up electrotechno from the westcoast of holland, name-dropping everybody and then some. comes in the electro rap vocal version, instrumental and a jacking motor dub. all on the new label den haag.

go! finger returns to the vinyl grooves again! and this time showing a more dramatic and darkest side. holland s underground legends das ding and dj overdose, join forces, for the first time, to deliver am/pm. a puzzling split release composed of two pairs of gloomy, sinister and hard to classify gems of the finest west coast electro. absolutely remarkable. a delightful and state of the art chiaoscuro of todays freshest dark electronics

55 minutes of relentless power electronics coming via courtesy of oake, presented for the first time on vinyl.
originally recorded during a live performance in marseille, 2015 and previously released on tape via ascetic house in 2016.
live in marseille is now newly presented on 4 sides of wax which have been supervised and editing by oake, remastered and cut at dubplates and mastering, berlin and pressed at record industry, holland.
the 2xlp comes housed in a 6mm full cover record sleeve with each copy housing an individually, hand printed artwork and download code.

hold tight for a shocking, rare discovery from the dusty vaults of a forgotten 90s breakbeat house outfit s minidisc archives. the two tracks that make up the repertoire of the two bad jews crew are steeped in the wistful optimism of the good old days - they just don t make them like this any more. -holland memory- rolls on a measured use of a break and a simple chord sequence that could melt on for days, plus there s space for the odd cheeky sample to remind you of the unpretentious era these tracks herald from. -tony hayers (dub)- meanwhile ups the dx7 funk with a rollicking house cut that would sit right with any true deep house head who wants a little uk attitude in their soul stew.

this is the 2nd installment of sable noir recordings: the jojoe ep, a 4 track vinyl exploring a deeper, sometimes darker minded side of the 170 spectrum.
the first 2 tracks by jojoe are some really deep, clean, and strong tunes, and also dancefloor destroyers, we saved them for years until finding the right idea to release them and this is whats happening now with this vinyl.
the first track “untitled” is a deep and dark minimalistic tune with a really strong bassline and some great cuts that makes it a fantastic dj tool for your sets.
the second track “97” is a clean and deep tune driven by some analog pads and a reese bass that will make a great job on any systems! watch out for the switch in the second drop!
the 2 tracks on the b-side are by joakuim the first one “to chant down babylon” is a halftempo dub influenced tune @ 170 bpm with a strong vocal sample and dubby bassline! the last track “snow” leads you onto a world of deep and cold atmospheres with a rolling beat and bassline!
this vinyl is done in the memory of joe holland, beloved friend and music producer. this ep is done for him!

having debuted with a fine ep by job sifre, artificial dance has returned to the source for release number two. the 12inch pays tribute to one of the most influential figures of original diy electronic music scene of holland, hanjo erkamp. during the first half of the 1980s, erkamp had a hand in some of the most experimental and forward-thinking releases on the now legendary cassette label, trumpett. famously, he was a member of two of the label’s key bands industrial outfit doxa sinistra and new wave combo ende shneafliet but during the period he also recorded a swathe of solo tracks as c.stein, most of which only saw the light of day decades later. la bombe plastique, a thrillingly spacey and futurist cut rich in proto-techno rhythms, intergalactic electronic motifs and drowsy choral vocals. for this timely reissue, the superb original version comes accompanied by a fresh re-edit created primarily for dj use.

garage-rocker otherkin veröffentlichen mit »ok« das lang erwartete debütalbum.
2017 war eine stürmische zeit für die band. zwei uk-touren, sowohl als headliner als auch mit the amazons gefolgt vom glorreichen video zur single »bad advice«. darüber hinaus hat die band für guns n roses das legendäre slane castle eröffnet, ihr download-debüt im castle donington gemacht und erfolgreich die otherkin-flamme in holland und frankreich am leben erhalten. erst vor kurzem hat sich metallicas lars ulrich in seiner beats1 radio show für die band eingesetzt.
»ok« wurde in irland in zusammenarbeit mit david predergast, jason boland und der band aufgenommen. die lieder wurden in london von jolyon thomas gemischt, der am besten bekannt für seine arbeit mit slaves und royal blood ist. mit einem frischen »ok«-tattoo beweisen sänger luke und schlagzeuger rob echtes engagement und volle hingabe für ihre kunst und ihr album-artwork.
die vinyl-lp erscheint inklusive downloadcode.

following on from the massive ashley beedle remix of mama unmask me (bb26), hannah holland s batty bass imprint welcome back underground new york duo, fatherhood. the striking collaboration of michael magnan and physical therapy, who remixed the carry nation in last year s as if bb release. this 12- includes mural and choppin onions, a melting pot of styles, born from ballroom, future jungle, trippy and retro house. on remix duties, octo octa is an artist who has continued to create beautiful, forward thinking dance music. her mix is no exception, get ready for the journey.

alonzo is an electro guy. raised in miami and now living in brooklyn, he has been brewing tracks for years. these electro/futuristic miami bass tracks are finally getting the release they deserve. recommended for fans of dopplereffekt, pretty tony, and the west coast sound of holland.

dalmata daniel continue with their inspired pairing of sonics and personalities on their seventh release (1st part of their split series) to date courtesy of dutch producer betonkust and budapest-based hardware techno fiend Új bála. as much as both differ in their geographical roots – holland and hungary, respectively, at first glance (or listen), their sound also ventures into different sonic territories. 1080p and pinkman-affiliate betonkust delivers vintage-tinged electronics – most prominently on his -ferenc s escape- – while Új bála digs deeper into the basement and unravels his analogue acid and badass beats. his -the piggy-bank deal- even touches upon oriental flavours. on the other hand, the music on this ep is buoyant and joyful, a welcome antidote to the gloom and doom that s not only been prevalent in the world around us, but also in too much music of the last few years.

experimental from holland