to mark a decade of their live techno outfit, exercise one release a new album and series of vinyl remix eps by friends and fellow travellers from along the road. choosing 10 remixes for their 10 years of performing live and 9 tracks on the album for 9 years of releasing records.

transition lab recordings is proud to present its first release. the label start with 2 tracks from ol-047. it includes a huge remix by deadbeat (echocord, blkrtz, wagon repair) and roberto clementi (echocord, soma). ol-047 is the connection between genres and city. inside the project two souls mix their shapes, alessandro stefanio and andrea santoro come from a long and deep experience in the clubbing scene as djs and producers.

the latest installment in deadbeat s infinity dubs series sees him submerging his rhythms deep into the echo chamber, offering up 2 solid state dubs with basslines so low only the largest systems will even register their presence. enlightenment through stoic repetition is the order of the day here, and deadbeat once again proves his unrivaled skills as a master hypnotist on both cuts. dont sleep.

deadbeat continues his infinity dubs series with 2 more peak time burners of dubby dancefloor goodness.

erstmals auf vinyl! re-release von deadbeats 2001 album als aufwendige doppel-lp, gemastert von stefan betke aka pole. ein must-have für jede dub techno-collection!

a new series of techno excursions ending in lock grooves entitled the infinity dubs.

the two part makers series is the result of a bourbon fueled studio jam

the two part makers series is the result of a bourbon fueled studio jam involving four prolific producers, using an array of gear ranging from a modular synth to a farfisa organ. throw in a 6 part saxophone harmony, shake, stir, record and there you have it. makers.

the new bomb on echocord colour comes from nick höppner and scott monteith aka deadbeat. this is the first ep by nick höppner on echocord colour. nick is maybe most known as being the manager of one of berlins most infamous record labels, ostgut-ton, höppner may not always receive the same lavish praise as ostgut artists like ben klock, shed and marcel dettmann, but there is an argument to be had that he is the best of the bunch. höppner only releases sporadically, but whether it is solo or alongside lee jones as mymy, his records are always remarkable. the 2 tracks for this release are both peaktime tracks. deadbeat did the remix.

eight is without a doubt the most upfront, muscular deadbeat record to date

perlon artist dandy jack slips the hounds with his brilliant >hamlet machine< a devastating powerful tune showing his ability of mixing styles between old school techno and avant-garde electronic music. he clearly demonstrates to us his unique approach of choosing the right sounds and the right groove at the right moment. he always opens new paths to the music ...

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

having launched blkrtz to wide spread critical acclaim with his album drawn and quartered in june this year, deadbeat now enlist the aid of two fellow berlin residents who need no introduction for remix duties. working with the source material from the first quarter, scuba dons his scb guise and turns in a slow burning sci-fi techno monster sure to appeal to fans of monolake and his own early work. rife with reverb drenched sonar pings and mechanized groans in the periphery, the track lurches toward its epic crescendo like an alien infested star ship nostromo sliding slowly to its demise into the center of a black hole. bringing things back up into the light on the flip, efdemin tranforms the fourth quarter (calas house) into a chugging deep pocket house journey. riding the cusp of a rubbery bassline and molding the chords into a timeless house organ motif, the originals dubwise leanings are heard loud and clear through a cloud of crackling unintelligible vocal samples and thunderous spring reverb crashes worthy of king tubby himself. without a doubt two floor ready reinterpretations and a great sign of things to come from deadbeats new curatorial ventur

once upon a time there was a girl called matilda, she loved to sing and dance and play music. one day she was making her way through the big dark treptow wood when she came across a magic electronic harp standing in a shaft of sunlight by the lake. she sat down to play and it sounded like summer... exone boss exercise one provides a tougher extended remix that retains the deep flatness of the original, while deadbeat keeps the full harp arrangement with his own frenetic bass arrangement

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

stunning 2x 10 inch package , limited !! incl remixes by ricardo villalobos, rozzo, deadbeat!!!

scott monteith aka deadbeat is back on echocord with an absolutely killer ep. after his split ep with fenin on echocord colour this year, and his earlier ep with pole (d.p.) he is now back on echocord with his vampire ep. deadbeat is one scott monteith, a long time montrealer and recent berlin ex pat who has been releasing his own special blend of dub laden, minimal electronics since 2000, for labels such as cynosure, musique risquée, scape and spectral to name but a few. this continues in the same vain. dub is the key here and it is used with such class and insight. the flip sees a more twisted track that shows a slightly more edgy side.

on this killer ep deadbeat (scape, cynosure, wagon repair) teams up with fenin (echocord, shitkatapult) to deliver 2 tracks that are absolutely made for the peaktime dancefloor.

sometimes a track is so hot it just has to come back around again. about ten years ago brett johnson and dave barker (stucco homes) wrote some unbelievably catching house tunes, one of them being temptation and lies. so it just seemed right to give this track yet another life. deadbeat and mike shannon dive deep into a stripped down techno groover, removing the constant use of the vocals and creating a rolling techno dub version. some seriously deep bass in the production that works the subs in all the right places. ernesto ferreyra and guillaume coutu dumont aka chic miniature give you a playful melodic version on the flip. full use of the original chord progressions, combined with the guys signature marimba/latin percussion leaving you with a lush, warm summer hit. then brett dives into the track again giving you the oohs and ahhs mix. a ten minutes work out with bjs patented groove focused on the vocal harmonies in the original. the result is a warped, spaced out, long player that is sure to twist a few heads. mental just about sums it up. of course we had to include the original masterpiece for those who didnt find it the first time round. a favorite of everyone involved on the remix project i think youll agree that the temptation and lies cynosure mixes do the original some justice.

dubby and deep atmospheric techhouse incl deadbeat (wagon repair) remix

next killer on mobilee... incl deadbeat rmx

deadbeat aka scott monteith, who on this his latest outing for cynosure, offers up 3 stormers that once again prove he has more than a few tricks up his sleeve.

already played by karotte & 2000 and one !! hypnotic / groovy minimal tech funk with dubby flavours

deadbeat & dandy jack mit skurrilen & originellen interpretationen während sich dj labs version in unsere herzen schaffelt. damit bleibt echocord auf der beliebtheitskala ganz oben dabei

the cult and ultra rare deadbeat classic back in stock

dub-techno, afrikanische percussions & moderne grime einflüsse mischen sich hier intelligent zusammen

scape ist zurück im club mit ausgefeiltem, verspieltem micro-techhouse auf den punkt produziert

scape ist zurück im club mit ausgefeiltem, verspieltem micro-techhouse auf den punkt produziert

excellent deep ambient electrronica double vinyl album!!

schicke minimal lp mit ordentlich funk, schwung, groove und klick klack

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

scott monteiths 10th deadbeat album, walls & dimensions, is now available through his own blkrtz label.

re-release auf cd und erstmalig als aufwendige doppel-lp, gemastert von stefan betke aka pole! ein muss fŸr jede dub techno-collection!

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

pink vinyl with gatefold

federsen with the next greyscale release, backed upo with remixes from deadbeat and grad_u. comes on white 180 gram vinyl with download code included.

incl steevio, deadbeat, dr nojoke, andrea cicheck mixes

great 4 tracker on visionquest

incl deadbeat and luke hess remix

third album

excellent selected dub techno tracks , tipp

remastered reissue on transparent red coloured vinyl.

re-press comes in black vinyl

metal

2022 pink vinyl repress (300 copies only)- incl huge rmxs by solomun, johannes brecht, deadbeat, marc romboy etc

incl deadbeat, reshape quantec remix

the 1989 b-52’s album back on vinyl lp.