the classic burial album is re-pressed on 180g double vinyl and, for the first time, updated to include the beatless atmospheric tracks that up until now have only been available on the cd album and the digital album. please note - these are not re-issues, theres no new music, nothing remastered - just revised, improved.

special restock !!! dubstep at ist best

here we are again, another dose of unsung heroes from the past. all the tunes on here (bar possibly the opening tune) will be well known by the rockabilly world. however to those of you who have recently become, or are about to be infatuated with this music you are now holding a compilation of some of the rarest and desirable tunes known to the serious collectors

the fruit tree foundation is an independent project that grew from the scottish mental health arts and film festival. ed by emma pollock (formerly of the delgados) and rod jones (idlewild), the fruit tree foundation also features james graham (twilight sad), scott hutchison (frightened rabbit), jill o sullivan (sparrow and the workshop), alasdair roberts, james yorkston, karine polwart and jenny reeve. the artists wrote and rehearsed the album over a long weekend in a remote perthshire farmhouse and recorded the final album in chem19 studios. the songs were written with a view to focussing on issues of mental health and wellbeing. artwork design by aidan moffat.

a genuinely triumphant arrival, the album features ten stunning tracks including forthcoming single amber hands, that reel from glorious carnival-esque euphoria to a sound that occasionally flirts at melancholy and utter despair. again into eyes was recorded in london with producers ken and jolyon thomas, whose credits include sigur ros, m83, david bowie and psychic tv. the album standouts include faith unfolds, summon the sound, which featured on mute s recent exclusive record store day vinyl release vorwarts and the utopian, future-disco monolith that is whitechapel. indeed, the bands individual listening habits in psychedelia, space-rock, avant-garde and ambient soundtracks collide to form a pop trip that neatly balances the innovative with the rapturously danceable to great effect. based in london, s.c.u.m exploded onto the music scene two years ago with the release of their debut single visions arise. the single, together with their exciting and intense live shows, quickly grabbed the imagination of fans and critics alike. since then they have toured extensively across the uk and europe to a growing fanbase.

alongside italics great affinity for electronic dance music in its multitude of forms, from techno to house to disco, they have always harboured a love for pop (attitudes), as exemplified by the likes of prefab sprout, steely dan, orange juice, scritti politti, japan, pulp or scott walker. the fourth coloma album is a song cycle with recurring harmonic and rhythmic themes. lyrically, loves recurring dream is a narrative chronicling the phases of a romance, which symbolically runs over the course of a year. in the twelve songs, singer rob taylor follows the progress of the seasons from spring, summer and autumn to winter, with the implicit promise that a new spring will follow. in its entirety, loves recurring dream is a modern concept album featuring classic song writing and bold production, combined to create profound popular music