the red hook grain terminal is a post-industrial unit overlooking brooklyn that serves as a pillar of the recent work of sound-artist, jordan edge. inorganic is a collection of organic sounds that have been degraded by inorganic spaces and working methods. the listener is situated in a three-dimensional world where the deterioration of sound is equal to the creation of the content itself. a world of dampened acoustics, half destroyed spaces, dead room tones and manipulated environmental surroundings.

limited edition of 200 copies. each cover hand stamped. it includes a poster (500 x 700 mm) printed double sided.

new terminal m logo shirts logo print unten am shirt

front and backside print from terminal m

terminal m logo shirt printed on bottom left side

3 big techno tracks on terminal m

teminal m techno stuff

2022 repress arrived!

auf dem debütalbum von gloved hands mit dem titel empty terminal verlässt der musiker die tanzfläche auf der suche nach etwas amorphem und weniger greifbarem. die acht tracks des albums haben einen ambienten charakter und konzentrieren sich mehr auf textur, raum und menschliche gefühle als auf die notwendigkeit von konstantem antrieb und schwung.

die a-seite, die rhythmischere und perkussivere der beiden seiten, ist von vagen echos und verwischten, sich langsam bewegenden akkorden durchzogen. unterschwellige trommeln schieben sich in und aus dem fokus. die klangquellen sind gleichzeitig weit entfernt und ganz nah. die vorhänge öffnen sich, um den blick auf eine kristalline melodie oder einen bruchteil einer gesangsphrase freizugeben, dann füllt sich der raum mit duftendem rauch und wird dunkel. es ist ein ort jenseits der tanzfläche. vielleicht ist es ein ort, an dem es überhaupt keine tanzfläche gibt.

die b-seite ist noch zerbrechlicher und durchsichtiger. vorder- und hintergrund sind undeutlich, so dass ein unscharfes geflecht zarter, ineinander verwobener formen und rhythmen übrig bleibt, die im warmen, schwach beleuchteten zwischenraum glitzern und sich gegenseitig berühren. mit einer wirbelnden mischung aus höhlenartigen bässen und süßen, aber niemals zuckersüßen melodien werden die details gedehnt und zu etwas neuem und doch vertrautem abstrahiert. die kompositionen kräuseln sich in der luft, tauchen auf und verschwinden, sind nah und doch unerreichbar.

terminal operations 002 sees the berlin based imprint unleash four tracks of raw fire power. kuno and spaceinvasion take a side each and deliver some unruly cuts of acidic techno.

for the first release on terminal operations the two label founders kuno and spaceinvasion from berlin, the mighty fallbeil from hamburg and mysterious neuspotter ns465 team up for this wicked four tracker. the a-side starts with one nasty uk-influenced techno banger by kuno which is followed by spaceinvasion s pure raw acid onslaught. on the flip side fallbeil deliver another distorted acid bomb with brutal vocals and neuspotter ns465 finishs off with some synth-driven madness.

vinyl only, limited to 300 copies, martin carlier shows his passion in a very unique way

ubre blanca return with their second release for clan destine after the amazing polygon mountain ep.

once again, erol alkan and boys noize have teamed up, for what has become a stunning re-imagining of last years smash single >avalanche<. determined to avoid a taking an obvious route, the pair originally intended to commision a spoken word interpretation - the natural choice was the melifluous jarvis cocker. on the remix tip the duo enlist the maestro himself ewan pearson, who supplies the deeper underground re-version, that reroutes proceedings to dubbed out berlin basement afterhours to stunning effect. not to be out done, hot talent canblaster interprets the original as a low-slung bleeptastic old-school electro workout that rounds the package off in glorious style.

terminal dusk delivers the goods once again with td025 split control on 12inch & digital. this time around australians droid sector breaks out a smooth techy roller on the a side with out of control. contagious dance floor action, trust. next up for the flip side, uks nuphlo shows his skills with the extra busy, high octane dubstep smasher control room, guaranteed to set the floor on fire!dj support from 6blocc, roommate, dubtek, boot, sook, requiem audio, fault & komonazmuk to name a few.

terminal m logo shirt printed on bottom left side

two fast breakbeat killer and one deep minimal track...

starkes terminal m shirt - seat with a smile frontprint, backprint, terminal m logo

nice sweat with a smile terminal m rec logo shirt for girls

starkes terminal m shirt - seat with a smile frontprint, backprint, terminal m logo

monika techno tracks .. back in time and future feeling

2 ravy techno tracks

boris bunnik alias versalife, einer der produktivsten electro-künstler seiner generation, kehrt mit einem außergewöhnlichen soundtrack.

electronic album

headbangin...

shall not fade sister imprint lost palms celebrates its 60th release by inviting kemt to the label. 3 dreamy luscious deep house cuts, delivered on blue coloured vinyl!

note:
cassette tape - limited to 80 copies - comes with download card and sticker!

clear red vinyl, soundtrack

black 180 gram double vinyl with etching on side d, housed in a gatefold sleeve.

lp with download code

limited edition reissue of the 1980 sparks album on white vinyl, including cd-copy of the full album plus 3 bonus tracks.

sudd wax is a vinyl only label of sudd records family. gari romalis returns with a new approach into dub sounds. detroit metro terminal presents his funky and soul roots into three new amazing tracks.

paul labrecque (sunburned hand of the man) and ghazi barakat (pharoah chromium) present two epic cosmic, dystopian tracks where guitars, synths and traditional instruments blend into an anarchic sound system.

electro, indie dance, nu disco sound

garage bands suddenly obtain cult status and become the antithesis of their initial appeal’ garage class were a group of reluctant outliers who produced one of the finest contributions to the wave of uk diy music that emerged during the late 70s and early to mid-80s. hailing from alsager in north west england and comprised of tim shutt (vocals) phil murphy (lead guitar) clive williams (guitar) lynne sanders (bass) and phil bourne (drums / bass on studio recordings) garage class originally went by the name of the pits before their then manager steve hurt imposed an alias which, though unpopular within their ranks, would nevertheless reflect the shambolic art they would eventually capture on their first and only single.

erstmals vollständig auf vinyl: das legendäre debütalbum der australisch-britischen d&b-formation pendulum, die damit 2005 aus dem stand in die szene einschlugen. mit sämtlichen 14 tracks der original-cd plus dem bonustrack “blood sugar” (einem späteren 12” track aus 2007). limitierte triple-lp-auflage auf 180g heavyweight vinyl!

deep space techno electro on trust celebrating the labels year xx. /dl/ms/ is the viennese duo behind recent frustrated funk outing, omakuda, last years trust29, rogue intent, as well as one of the most-played electro tracks of 2017 - their remix of second storeys attack of the modlings. exit ghosts takes the /dl/ms/ sound far into haunted new orbits, trading some of its earthy rumble for more ethereal emanations. stark and sombre bass signals return, but find themselves enveloped in delicately threaded string anomalies, copious amounts of melodic ectoplasm, and spirit-like liquid funk dilutions. vinyl 12inch contains three locked grooves and ships in new trust xx color sleeves.