repress 2020 - standard black cover - incl. tuff city kids remix , catz n dogz , younger rebinds remix 2 , original mix

deleted - limited hand stamped whitelabel... disco rout was one of the biggest anthems in 2002 - 2019 with two fresh remixes from younger rebinds aka rod aka benny rodriguez, played by sven väth at time warp 2019

amazing deetron remix for fans of rej , french kiss of jaguar, ibiza alert... freeform five remix is more freaky electronic and pumpin house... plus timeless original version

the biggest track in 2002, mit neuem johannes heil remix & original....pflicht! played by sven väth,dj hell and many more!

180 gram vinyl in gatefold sleeve with download code included.

limited rsd 2019 edition - pink 180 gram vinyl in gatefold sleeve with download code included.

the nu-rons, were a family group consisting of two sets of brothers and cousins, the four young men in question being brothers daryl howard and raymond gibson (daryl’s mother registered him under his father’s surname of howard and raymond under her maiden name of gibson) together with otho bateman and charles bateman. they were all born and raised in salem, new jersey and from the age of ten and eleven began singing with a fifth member and gibson brother rudolph in a group called the gospel 5. they eventually decided to crossover to secular music and as a group known for their energetic dance routines they came up with the new performing name of ‘the nu-rons’ (taken from the word ‘neuron’ which is a cell that transmits nerve impulses). however rudolph was soon to leave the group due to physical illness. also daryl howard and charles bateman had also been part of a working group known as the devotions prior to becoming the nu-ron’s.

giallo disco journeys further east with the release of baskin. our first original soundtrack written by turkish composer volkan akaalp for the short film by enfant terrible can evranol (to my mother and father). baskin tells the story of four cops discovering a nightmare of lovecraftian proportions during a routine investigation. this incredible soundtrack is an eastern twist on the works of fabio frizzi, industrially corroded by early 90s r&s records. shot independently in istanbul, turkey, during the height of the gezi riots baskin has been described as disgusting. disorienting. brilliant by horror director eli roth. comes with a full colour sleeve and two exclusive remixes on the b-side by giallo disco heads vercetti technicolor and antoni maiovvi. things are about to get weird...

al kents music machine ep continues the theme of million dollar disco s latest edits series, chopping and changing some fine disco moments, stripping out the boring bits and enhancing the good...

back in !!! megasmash aus dem jahr 2002…heavy plays by dj hell & sven väth …and amongst others !!

experimental stuff

various artists deephouse compilation, 1 per customer

fourth installment in emeralds essential memories series with 12 tracks on double vinyl.

synth pop lp

e-missions co-founder p.leone returns to radio slaves rekids this september with the my lita project backed with remixes from mark broom. originally hailing from new york, p.leone now resides in berlin where he helms his e-missions imprint with releases from himself and co-founder caiazzo, exciting new artists like rush plus and tred, not to mention remixes from young male, spencer parker and lawrence lee. leone has also dropped a variety of releases on rekids and work them records, when not making regular appearances at clubs like tresor. he now returns to radio slaves respected imprint with ‘the my lita project, following up his highly lauded el dorado ep that garnered support from ben sims, jackmaster and spencer parker. my lita kicks things off with classic synths, piercing strings and choppy vocals slices whilst robust drums march forward. meanwhile, tight in the pocket is more dark and menacing in comparison with its syncopated percussion, echoing claps and ethereal atmospherics. on the flip, mark broom drops two different remixes of my lita the first is a robust cut complete with disco elements like funky guitar licks and soulful voice, with the originals stabs shining throughout, whilst the second remix takes a different route with its crunchy snares, moaning murmurs and fuzzy effects.

4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can’t stop, won’t stop attitude. as if the first three fourtrackers were just heating things up, he’s firing out another ensemble of four to bring serious exercise to the floor. “say say say”, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is “shadrach”. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, “impala” is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. “whoo-hoo-hoo” – that’s right. just add some subtle percussive lining and let a saxophone take over and you’ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it’s “baden powell dr” as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness

the saqqara ep is a multilayered, sonic canvas from the mind of chris barratt, as he launches his new alias, baratt, for life and death. fine brushstrokes move from all areas of his musical hideout, spreading over five, varied, aural sculptures, each one warping and weaving on its own cosmic trajectory. pooling from key aspects of his eagles & butterflies project, barratt induces new musical shades, hinting at moments of disco and funk, through a lens of psychedelia. the title track is a late-night floor-filler - a bold yet uniquely personal necropolis built from riveting delays and arpeggiators. time bending sees dj tennis join in, stepping up with his trademark, rough around the edges production aesthetic, en route to unknown destinations. barratt hones-in on a confident, stripped-down style on khaos - rhythm versus melody just in time for festival season. 1983 soundtracks a ride to utopia on a rocket-fueled vespa, leading to collider, the land of un-quantised madness, where the most treasured of synthesisers live amongst their drum machine counterparts. flowing yet incredibly interconnected, saqqara is best interpreted as a mini artist album - the first of many barratt offerings.

insurmountable heat sliding through the cracks no doubt, uks sentry imprint is at it again. dj youngstas vinyl label is continuing its high-pressure output on dangerous 12inch records. routinely adding some of the worlds finest bass music artists to its roster, now welcoming none other than gramz to its venerable discography. the notorious alter ego of sleeper, highly respected producer and label operator (crucial rec.), takes a turn for the more aggressive & experimental side in dubstep territory firing up dance floors with its in-your-face attitude and hip hop inclined slack. unadulterated gangster business, stirring the melting pot of forward-minded sound system music.

the mushrooms project are well known for their sleazy mid-tempo laid-back percussive style, a sound that immediately resonated with rising stars and newly signed label mates earthboogie. specifically it was ‘dubby bolas’ from the italian duo’s 2016 album ‘rivea corymbosa’ album that really excited earthboogie and equally, the mushrooms were fans of the afro disco sound the londoners displayed on their debut track ‘route ten to interzone’. the mutual appreciation led to this remix project and now, released exclusively for record store day 2018, their complementary productions styles collide with great effect.

the energy that johnny cash and the tennessee three captured on the legendary “johnny cash at folsom prison” movlp274 record can probably never be duplicated. that being said, “hello, i’m johnny cash” comes very close.
this forgotten album is arguably one of the five best albums in the cash discography. it is fueled by superb original cash songs and well executed covers. it contains “see ruby fall” (co-written with roy orbison) and one of his best 70s hits, “blistered”. the lean, minimalist instrumentation of the tennessee three ensures the album with great rhythm, leaving johnny cash’s voice as affective as ever. the album itself reached no. 1 on the country charts and no. 6 on the pop charts.
pressing on 180 gram audiophile vinyl.

hot sauce committee part two is the eighth and final studio album by the american hip hopband beastie boys, released on april 27, 2011. the album received critical acclaim upon its release and was also a moderate commercial success, debuting at no. 2 on the billboard 200 chart. the release was supported by four singles – -lee majors come again-, -too many rappers- featuring nas, -make some noise-, and -don’t play no game that i can’t win- featuring santigold. pressed on 180g vinyl.

this record, and the full 2xlp that will follow it, are dedicated to and inspired by events in 2015 & 2016, which saw the spectre of global crisis come knocking at europes doorstep. during this time, more than a million migrants and refugees fled their homes in the middle east, northern africa, sub-saharan africa and other conflict ravaged areas in search of a better life. for many, hopes of a future for themselves and their families lay in continental europe. while the reasons for such displacement, on a scale unseen in almost a century, are many, so are the reasons for europe being seen as the ideal destination. the relative peace and calm of the continent and the prospect of building prosperous lives in western europe was enough to mobilize multitudes to embark on the treacherous journey to europe. one of the most well-trodden paths on this journey was the balkan route, a trail leading through turkey, greece, and the former yugoslavia. this route was not without its dangers, and the dreams of many were dashed by impassible security fences and discordant eu politics, as one by one they were turned away at borders, or worse, forcibly returned to their countries of origin.

europa is the first single that represents the seed of discontent, from which the 2xlp grew. it was recorded during long jam sessions in belgrade as the media spotlight started to dim. the city became the purgatorial destination for a large number of migrants, whose journeys had been cut short and this record reflects the atmosphere of disillusionment and uncertainty about the future, which descended on the serbian capital.

influencing the electronic landscape since 2010, hot creations has gained notoriety through pioneering a new and unique sound. also recognised for tirelessly pushing boundaries of house, techno and disco across it’s ever growing and innovative catalogue. one hundred releases later, the label is stronger than ever, celebrating with a mammoth ep from co-founder jamie jones. an ultimate summer jam with elevating synth lines, sound of music is a cover version, originally released by nookie and features chart topping artist katy b on vocals. kooky chords is a dance floor bomb, with melodic breakdowns sure to set any dancefloor on fire. next, positive pressure features label favourite kevin knapp, deep and gritty, the bassline swings with spacey layers. last up, parallel universe is a deeply infectious chugger with vocal cuts. “i m so honoured to be releasing the 100th record on hot creations. it’s been an incredible journey to reach this point and i can t wait for the next 100. as i opened up with the first release on the label, i thought why not start the next 100 on the same foot.” - jamie jones co-founded with lee foss, hot creations was the start of an empire, which went on to include sister labels hot trax and emerald city. jamie also runs paradise at dc10 in ibiza, standing today as one of the most popular nights on the island, it enjoys a close connection to the label. remaining at the forefront of the dance world, hot creations continues to break new talent and play host to well established producers. releases have come from artists such as patrick topping, richy ahmed, route 94, waff and roisin murphy amongst many others including pop group hot natured. critically acclaimed albums by miguel campbell, digitaria, popof and phil kieran have all been highlights on the label. reaching this impressive milestone, it seems only right that jamie jones is the one to deliver the 100th release.

black bones debut was one of the year s best sellers, and it s easy to see why... lucky for all of us, the blackbones boys have more than one trick up their sleeves, as another back-breaking digging session has unearthed some sacred remains, ready for modern scientific re-animation ! sonny retools a highlife classic into a splendidly sun-soaked summer beauty... on the flip xtc takes a more cosmic route to dancefloor abandon, while roller is a barn-storming discoid jam that wraps up another damn fine ep !

same speed sambas are back to celebrate the sound of the summer in 2017 in their very own unique way. following on from last year s now hugely sought after debut, they have dug even deeper, searching out for more obscure uses of brasilian rhythms and coming up with two dance floor delights â&#128,&#147, one from denmark and another from right here in the uk â&#128,&#147, giving them once again, that unique same speed re-touch. samba operator takes a rare live recording of one of the uk s finest soul acts of the 80s biggest hits and re-works it into a mostrous tropical club anthem, while numero dois goes down the samba-not-samba route taking a danish 70s girl band and giving them some very warm disco treatment. the result is something very contemporary sounding that ll fire up the dance every time. all same speed releases are limited, hand-stamped vinyl-only affairs, but also be on the look out for the occasional re-work of more contemporary artists, available for free download as a little treat, to pimp up your dj sets this summer.

it might not always be obvious, but music as escapism can serve as a radical social statement. what some may see as daydreaming or imagination of impossible realities, can constitute a sort of revolution of thought, the seed of a more human and sentient worldview. although on a first listen, high-level basis, it may seem as if the music contained in informa’s 10th release is a series of psychedelic, dystopian and otherworldly tools for escape, it might actually be a proposition for improvement, a route to self-discovery, a reflection on the true nature of our surroundings. although at no point in this release such high concepts are made explicit, there is a consistency in vision and methods present in the art created by the peers that label founder and owner deepbass has selected for this very special, celebratory release. encapsulating the product of eight minds, eight visions, in a common concept for evolution in unity.

joining our label for the 4th release are dan andrei and kozo, under their collaboration named ak41, a fructuous project that offers three highly complex tracks.
on the a side you can find “icebreaker” solely, an eccentric sound with a steady bassline, percussive kicks, tripping shakers and a thoughtful, mysterious melody that touches all the frequencies of your body. turning to the b side we find “swingenious”, a groovier interpretation produced by a combination of spacey feelings and sophisticated instruments that will move every bone on the dancefloor. closing the ep is “in memoriam”, a melancholic version that is not short of an aggressive bassline, ambiguous vocals and deep introspects, all aligned to disconnect you from the reality of routine.

consistently unearthing a hotbed of new talent, hot creations next release is back to the music from dj and producer sooney. the release features two original tracks and a stellar remix from one of the biggest names in dance music, route 94. title track back to the music is an exhilarating record shaped through melodic synths and keys alongside a sharp bassline. route 94 strips back his remix to the bare groove. while the chugging beats of afraid of the dark bring the release to an accomplished close. london based sooney fell in love with house, hardcore & jungle in the early 90 s. in 2015 he set up his own label, take control records, gaining support from the likes of shadow child, jamie jones and gorgon city to name a few. since being discovered by the hot creations family, sooney’s sights are firmly set on big things for 2017. fellow uk artist route 94 shot into the limelight in 2012 with chart success and has since gone on to appear on labels including virgin, defected and crosstown rebels, and work with major names like katy b and jess glynne.

italy s finest disco editor in chief, mr moplen is back with a new release on gamm. this time around we get a slice of philly disco with those heavy harold melvin vocals we all love, moplen really got this one working if you ask us at gamm headquarters. on the flip we go down an alternative route and get served an afro fuelled pop/disco jam from that notorious group known as talking heads...proper! enjoy the dance !

hungarian imprint farbwechsel has built up a varied and interesting discography over its 4 years of existence. this limited edition cassette from bouchons d orelles deviates slightly from the label s normal aesthetic, taking a more industrial/drone route with the original tracks. the remixes are also a fantastic and well thought-out edition to the release, with the s.olbricht remix standing out.

erstmals auf 7” vinyl: die beiden top-highlights aus eleanore mills disco-soul-albumklassiker “this is eleanore mills” von 1974, der dieses jahr in remastered qualität bei soul brother als cd und lp wiederveröffentlicht wurde.

‘this is eleanore mills’ was her debut and only album, recorded for the sylvia robinson’s all platinum subsidiary astroscope in 1974. the album was produced by harry ray and al goodman of the moments and tommy keith of the rimshots. it includes some great crossover and modern soul cuts, including the in-demand string laden early soul/disco ‘same routine’ a popular killer cut and ‘i’m gonna get you’ another superb up tempo soul cut. ‘fascinating devastating man’ is a lovely mid tempo track. the album includes some beautiful soul ballads ‘he said goodbye’, ‘how can i love you’ and the heavily sampled ‘telegram’ which she rips up, plus ‘teach me’ an amazing near seven minute opus which picks up a heavier groove half way through.

dave ajus, the freee lover ep has landed as the 1st new artist release on the newly re-launched mff and setting the benchmark for the label. with a huge worldwide fan base and instinctual passion for delivering fresh sounding quality material, the name dave aju has become synonymous with originality and diversity. the freee lover ep offers 3 original tracks from aju and an amazing remix from germanys soulphiction. find a lover & givin it dub are 2 signature aju cuts, deep and soulful tech house featuring original vocals and just the right amount of jack. freeeze takes route firmly in the leftfield. a discordant downtempo number, with muted jazzy chords and twisted grooves, a sure fire track for sunrise dance floors. to top off the package, soulphiction inject some peak time energy back into freeeze, offering a beautifully produced, perc lead tech roller.

following the success of 2014 s ii , gala drop are back with a new single, nova . side a comes mixed by their principe discos homies niagara. we re in familiar gala drop territory here... floating psychedelic guitars & synths entwine with the deft drumming and intricate percussion, all weaving a psychedelic spell that transports you to the band s sunny world. on the flip lisbon s maestro deejay tiago takes us further into the same world, but via a different route. soulful keys and gentle congas ease us down to the beach to soak in the future jazz. pretty much, the message is... all about sunshine golf channel every time !

have you ever heard about william outta space the contemporary space invader. the voice of the disco dark century. slowly baby slowly! it takes route 110. including remixes by mod7, kito jempere & chizh.

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

tone control music proudly introduces our new signing thatmanmonkz. this debut ep, the man explores detroit inspired deep house with jazz, disco and soul influences apparent throughout. several tracks feature vocalist and multi-instrumentalist, pete simpson (sunburst band) while title track, the man takes a heavier sampler/drum machine based route for darker tastes. ross orton (arctic monkeys/m.i.a.) helps out on mix duties to complete this steel city showcase.

the third ep on visky recordings is brought to you by a fresh and talented upcoming producer, dj and music lover hailing from grodno in belarus. schmoltz has had a long-term affair with music which got him to collecting records and fiddling with music making software and hardware. growing up as a metalhead kid, he came the disco route and later to be mesmerized by the soulful powerful funky and electric sounds of donna summer, gloria gaynor, stars on 45 and whatever else was to be found in the piles of soviet melodiya records. schmoltz delivered three great jazzy, deep & soulful tracks for his debut 12 inch on czech based visky recordings. on top of that the b side offers a remix from ferrispark label head scott ferguson. scott gave to raindrops a totally different feel and energy in a way of his own.

here we give you the latest release from duck sauce >big bad wolf<. the follow up to the uk number 3 >barbra streisand< . armand van helden & a-trak could of easily taken duck sauce down the commercial disco route but they have done what they do best and give us a follow up single completely out of the ordinary and set to encapsulate the nation again. big bad wolf is already gaining a momentous amount of support with zane lowe declaring it the hottest record in the worldand heavyweight support from annie mac, pete tong, steve angello, chris lake, calvin harris, cassius and many more. this is another unique moment from duck sauce that will capture people just like >barbra striesand< did, expect to see the wolf dance on the dancefloor

there was no doubt that label boss fred everything wanted to get his hands on the remix, taking a similar approach to his recent juno-chart-topping disco remixes of hot toddys down to love for oms sub-label smoke & mirrors. fred ups the tempo a little but instead of going the 4/4 route,he uses a laidback,almost freestyle beat over a crisp production. this is house-not-house at its best!also included is the bonus track from blacklodge called >broken promises< which shapes up as another late night monster.early support from danny krivit, mark farina, tortured soul, nacho marco, franck roger, lovebirds..

third and last single cut from his debut solo album! this time he teamed up with >kuniyuki aka koss< as a production partner and this single was made with many obscure old records. a side, >routine< is jazzy fusion disco and >unfaithful< is one of the best clubby track on the album. b side, >transaction< is a klaus schulze style and >aneugalam< is a unique jazz funk disco

already supported by nick curly, dan ghenacia, markius fix, robert dietz and more!
alex is back with his london home cinematic recordings - this time with a 4 track stormer! >north london cutz ep< is a homage to his inspirational north london neighborhood - where his infamous >rhythm tech< studio is based during the last couple of years - and he got it just right! he delivers a phat 4-tracker with plenty of moods to choose from!
on the a side >bellawatt< - a big room techno with a disco feel and a rumbling bassline on point with todays sound. a2 brings us >ductile< introducing a jackin chicago vibe with a more techno attitude on the beats and a pumping tribal groove on the subs. >this goes out to ron hardy he from chicago< belches the spoken word. funked up to the max! on the flip >route 277< is a warm tech house affair with a dub mood and a strong banging hihat beat and the last joint goes deep and techy with a hypnotic vocal and a haunting oriental melody, all summed up in a percussive jungle mood. overall a very strong and dj friendly release to stay in the box and a perfect follow up to alexs latest releases on arearemote, cecille and tuning spork earlier this year!

new kid on the block jacob korn (dresden, germany yall!) convinced sometime somewhere in toronto with a hearty live set that took a route over hip hop, down tempo house and all kinds of funkiness until it peaked with the disco-house-craze >i like the sun (but not on leds)<. much to the delight of a present running back a&r. hands were shook and it took only 2 and a half years until the test pressing arrived. supplemented with the slow burning >selene< that really gets you the second time around, prevents the typical mistakes current deep house likes to make (at least, we think so) and is the sun gods sister, the a-side is good to go. flip the script to see prins thomas in a good temper, rolling out the red carpet with one of his tried and tested remixes. >i like the sun< piles up to 13 minutes of true diskomiks glory including drums that go on forever (bonus beats, yall!) and some eye-cue-markers for those of you who are deaf already. well, swell

refreshing as a blast of warm disco breeze to the nether regions comes this sultrily intoxicating outing which sees hanna produced in paris by purple musics alfred azzetto and italys vincent valler, accompanied by a genre straddling array of mixes. the french sung tune recalls classic french disco while the backdrops are sympathetic despite their diversity: alfreds sub sub mix stretches around the incredibly catchy song as a sexy piano vamp, dj fopp & walterino take the straightahead house route, ii moods recall knuckless 90s productions with lashings of stately piano, christian hornbostel goes for minimal dub, souldynamic & fioresehome home in on the sexy vocal over a gathering acid storm to delirious effect and blacksoul uncork a thumping deep house excursion uncannily recalling late 80s chicago with bare piano and haunting textures before switching gear to new york of that period. each one is dominated by that great vocal, the sort that sounds great on whatever you place it on apart from david camerons beat box bottom. pretty essential.

sin & soul are back with a new edit series with nicely designed sleeves. volume 1 is hitting us with two tracks re edited to set any dancefloor on fire – side a goes the deep disco route while the flipside is from the golden age of italo/euro disco.

electricano was born in latvia in the small town of jelgava in 1980. he started dj-ing in 1997, playing as the resident in clubs of his native city. his favourite styles of music were funky house, disco house, soulful house, progressive house, tribal house – in fact any kind of house!

sound advice is a varied collection of tunes that are somewhere between dance pop and lush disco simon described the record saying every track has different flavours and hes right its a chilled cocktail with a fruity base and tangy kickback all you need now is that ibizan sunshine

ian pooley prodoction!! pumpin chord flavored & disco injected tech house tracks!