auntie flo returns to highlife! paying homage to a time well spent in korea. delicate and atmospheric sound design from the dmz. with thanks to our pal akimbo for granting permission to feature the chuggy remix of high flight.

180 gr vinyl with limited full cover

for against fascism trax 006, auntie flo takes us to brazil, a country that is dealing with having a bona fide fascist president, with an ep recorded in rio de janeiro

incl. nicola cruz remix! next smashing disco halal output

der begnadete afro-futurist auntie flo aus glasgow fusioniert elektronische club-musik mit weltmusik-rhythmen und wird gerne in einer reihe mit daphni, four tet und romare genannt. nach zwei alben auf dem glasgower label huntleys & palmers erscheint sein drittes werk nun auf gilles peterson’s brownswood. mit -radio highlife- gelingt ihm seine bislang ambitionierteste arbeit, an der befreundete musiker aus aller welt wie laurie pitt (golden teacher), der senegalesische multiinstrumentalist mame ndiack, uk-produzent/sänger andrew ashong und der kubanische percussionist yissy garcia teilnahmen.

having been rinsed by the likes of dixon over the summer, were very happy to finally release auntie flos remix of oumou sangare! its complimented by a brand new original by the man himself on the flip, desert island.

austin ato is the latest project from colin bailey, the multi talented producer from oban in scotland who has been the man behind the drums of death moniker since 2008, and has also recorded under the frankie dreams and coba aliases. with forthcoming material also due on phonica white, ato lands on futureboogie with the massive feel good vibes of music will save the day, backed with two superb remixes from auntie flo and christophe. featured here are two original mixes of music will save the day. the dub mix the is classic house music jam, packed full of energizing musical flourishes, from the balearic tinges of the sequenced mallet riff, whimsical pads and booming bassline to the searing crowd chant and the joyous piano motif. ato displays some serious musical chops here, which are further enhanced on the vocal mix with the addition of a bi-lingual vocal hook that will surely act as a call to arms on any discerning dancefloor. on the auntie flos hidden garden remix, the huntleys & palmers mainstay strips things right back for a beatless excursion, letting the percussive elements drive the forward motion whilst the melodies and thick synth pads wash over like crashing waves, a great reinterpretation by brian dsouza aka auntie flo. futureboogies very own christophe provides the second remix, tweaking an acid riff over a heavy, old school drumbeat and teasing in the musical elements, providing a tougher and more jackin take on the original mix, whilst keeping faithful to the original vibe.

in the final chapter of the theory of flo story, we ve enlisted the services of the mighty dj sotofett to remix the closing track for mihaly , and what a job he s done! dark, weird and percussive -just how we like it. we also include brand new versions featuring occasional live drummer, laurie pitt and a reprise with poppy ackroyd. credits remixed & reproduced by dj sotofett at wania 1. guitar solo by jeks. synthesizers, percussion & programming by dj sotofett percussion & violin by laurie pitt and poppy ackroyd

next up in the series of remixes for auntie flos acclaimed theory of flo lp, we ve employed the services of our buddies from stockholm, london and russia in the form of kornél kovács, throwing shade and lipelis respectively. each of them have done an amazing job turning each track into something very special, as we re sure youll agree.. released on vinyl courtesy of highlife x huntleys + palmers in march 2017.

new material from the acclaimed scottish polyrhythmicist.

having been shortlisted for the scottish album of the year&#8203, award, we follow up theory of flo with some stellar remixes from friends and associates.. next up in the series, we ve employed the services of our berlin buddies, africaine 808 and a long time favourite producer of ours, mark e, who have each delivered a blinder. auntie flo himself tops things off with a brand new version of the album opener primed for the dancefloor

we are very pleased to announce the 2nd release of auntie flo on mule musiq. reverence is african taste very deep tech house.if you like culoe de song or mr raoul k, you will love this song. drum meditation is more dj tool edit and synthapella is nice sound effect tool.

having been recently shortlisted for the scottish album of the year award, we follow up theory of flo with some stellar remixes from friends and associates. first up highlife label mates, mehmet aslan and cain deliver the goods on cape malay prayer and hewal3 - as to be expected. what wasn t planned was this sublime rework by the revenge. we felt so precious about waiting for a (woman) - convinced that the original was too good to be tampered with - until an unexpected turn of events brought our fellow glaswegian (and say nominee) to the controls, resulting in a sophisticated rework for the dancefloor - who better really when you think about it?! released on vinyl courtesy of highlife x h+p this summer. more remixes on the way..

better known as kemback, geoff wright is a bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in house and techno but often treads into the weird and wonderful worlds of jazz, soul, folk, and blues. while his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny scottish village from which he takes his name. his debut release in 2014, on bristol mainstay futureboogie, received widespread support from djs as diverse as skream, mosca, and nemone. more recently his effort as part of alfresco disco s acclaimed maximum joy series, titled awaken , has been likened to the music of artists including floating points and leon vynehall. good night & for you today, the two tracks on kemback s omena debut, showcase a high level of production skill. to complete the package the always excellent auntie flo (aka brian d souza) & omena label boss tooli take turns in remixing good night.

four remixes from the youth stand up! album that was released on autonomous africa late in 2015 by jd twitch, midland, auntie flo and general ludd. youth stand up! is a collaborative recording project between glasgos green door studio, lebeha drumming center in hopkins, belize, and the tafi cultural institute based in tafi atome, ghana. all proceeds will go to tafi cultural institute, tafi atome, ghana and lebeha drumming center, hopkins, belize.

the highlife world series is a collaborative series of releases by uk-based brian d’souza aka auntie flo and esa williams. the first three parts are to be released in quick succession in early 2015, beginning with cuba, followed by kenya and finishing with uganda. each release features original songs produced in collaboration with local musicians. all proceeds from each release will be sent back to the respective countries in order to fund further musical production costs in years to come. we will also be seeking various ways to distribute the music in each country so the music is freely available for the musicians to use at home.

auntie flo returns with his theory of flo lp masterpiece, his first re- lease on h+p in over 3 years!

so in love and the spellbinding waiting for a (woman) are the teaser for the upcoming auntie flo album.

esa returns with the final instalment for this highlife world series which included previous releases cuba and kenya. having been invited to attend the east africa music conference doadoa in jinja, uganda back in 2014 and again in 2015, esa shares the sounds of a new breed of talent and ideas emerging from east africa and beyond, showcases music not only from uganda but artist from burundi, rwanda, kenya and south africa who all attended the conference.

we hope you will permit us the indulgence of deviating slightly from our globe trotting explorations on this release as we pay homage to the sun. highlife on holiday, if you will. stepping away from the edits, auntie flo delivers a new original track. sun ritual ii takes things up a notch from its earlier counterpart (released on kompakt), banging dare-we-say-it berghain techno gives way to warm synth-laden euphoria. on the flip, miajica, one third of alma negra who you may recall from highlife2. here he serves up a delightfully familiar summer treat, the original being an end of the night, highlife highlight, particularly at our annual tribute to the sun event. we are sure you will agree that both sides are rock solid and primed for the summer!

this is the third autonomous africa ep, the idea being that one ep is released each year and all proceeds are donated to a charity in africa. last years second volume, along with a fundraising night in glasgow and another in london raised several thousand pounds for the mtandika mission in tanzania (more info on that below).

brian d souza aka auntie flo stammt ursprünglich aus goa und hat seine neue heimat in london gefunden. seit seinem debut -goan highlife- im jahr 2011 und dem nachfolger -oh my days- (2012), die beide auf dem huntleys & palmers label erschienen sind, kann sich auntie flo über eine stetig wachsenden fangemeinde, die sich aus den verschiedensten musikalischen lagern zusammensetzt, freuen. es folgten das experimentellere mini-album -future rythm machine- und eps für kompakt und mule musique, die das ganze spektrum seiner musik, das sich von klassischen house und techno über disco zu afrobeat, kwaito, cumbia und südamerikanischen rhythmen zusammensetzt, aufzeigen. seine erste ep für permanent vacation hat dann auch zwei afro futurist knaller aufzuweisen, die sich auf jeder block party zu hause fühlen. auf der rückseite steuert auntie flos esa, label-kumpan und zugleich teil der auntie flo live show, noch einen afro acid dub bei.

introducing the highlife edits from h&p affiliated artists after the party of the same name. as the title suggests, both tracks by resident dj auntie flo are rooted in african music and designed to set dancefloors alight.

many of the problems africa faces are a result of outside interference by other countries, and as the 21st century progresses we will see the continued pillage of african resources to feed the global capitalist machine on an unprecedented scale.

nick höppner and auntie flo present essential tracks fitted for maximum floor response

having brought 2011 to a close with two sell out releases (oh my days & highlife) under his belt, a growing fan base which counts ricardo villalobos, andrew weatherall, gilles peterson, caribou and jackmaster amongst its members. lining up residencies at the legendary plastic people in london, glasgows sub club and festival appearances this summer, auntie flo has been on a roll!it now gives us great pleasure in presenting the future rhythm machine.

putting the fun into funky !!

auntie flo drops his debut release on london / glasgow club promoters huntleys & palmers new imprint.
hailing from goa by way of glasgow, auntie flos influences are far flung, referencing, villalobos, four tet and caribou, to fela kuti, william onyeabor, and kwaito, alongside kode 9s hyperdub, chicago house from fast eddie and tyree cooper and more recently matias aguayos comeme imprint and some of the current movers and shakers from the uk scene.

brian d souza (auntie flo) and or:la team up with two long form ambient pieces celebrating the humble mushroom. the sleeve includes a scratch and sniff smell component and incorporate uv paint that will only show up in dark light

der begnadete afro-futurist auntie flo aus glasgow fusioniert elektronische club-musik mit weltmusik-rhythmen und wird gerne in einer reihe mit daphni, four tet und romare genannt. nach zwei alben auf dem glasgower label huntleys & palmers erscheint sein drittes werk auf gilles petersons brownswood label. mit radio highlife gelingt ihm seine bislang ambitionierteste arbeit, an der befreundete musiker aus aller welt wie laurie pitt (golden teacher), der senegalesische multiinstrumentalist mame ndiack, uk-produzent/sŠnger andrew ashong und der kubanische percussionist yissy garcia teilnahmen.

turbo recordings is proud to present a release a full year in the making. a&rÆd by turbo elder thomas von party, gender embodies the adventurous spirit of his own multi culti label, and marks a return to the kind of mega remix pack we used to make when the world was young and an alternate dub rework was all you needed to get by. germanys skinnerbox sets the template with a high-speed jungle rave banger, which is an accurate enough description but not something we would expect you to ever repeat out loud. the 12-inch also features versions by swedish nice guy axel boman, who missed the submission deadline by 13 minutes but still managed to turn in a 12-minute epic jam, and glasgows auntie flo, who somehow harnessed the siren song of the iphone with a marimba-heavy mix.

thanks to those whove supported auntie flo and the first two sell out releases. ahead of his debut album, future rhythm machine, wed next like to introduce the hotly anticpated remixes forthcoming on vinyl from pearson sound and newcomer sophie. stripping back the original pearsons signature sound is all over oh my days and includes mix-friendly intro. his take has been a staple in every set from the hessle audio gang for months and recently featured in his essential mix on radio one.introducing the talented sophie in whose hands, highlife is morphed into a rapture of synth-laden goodness. one to watch over the coming months. early support and people with kind words to say include ben ufo, jackmaster, blawan, erol alkan, optimo and capracara amongst others.

incl full cover

b-stock! cover with bent corner. vinyl unaffected & mint. incl 60 page toy tonics magazine

incl. john talabot remix

repress without toy tonics magazine

incl 60 page toy tonics magazine

breakish piano house bomb !! supported by auntie flo, danny howard, dusky, gerd janson, jacques renault, loods, mall grab, tom trago and many more

remixes from auntie flo and musumeci finally available!

dj support: danny howard, annie mac, mistajam, the black madonna, jacky, groove armada, high contrast, weiss, joris voorn, danny rampling, riva starr, auntie flo, mambo brothers, detlef, mat.joe, mendo, illyus & barrientos, claptone, flashmob, montel, judge jules, raffa fl, mousse t, gw harrison, mark knight

supported by auntie flo, black loops, art alfie, jacques renault, horse meat disco, eli & fur, shadow child, melon, roger sanchez

ben gomori dons his g. markus mask once again following a hotly repressed sixth volume. 4play cuts up anthemic 90s house, while inta goes deeper on a 4/4 garage flex. djs who like a bit o g-edits include move d, romare, disclosure, jeremy underground, dam swindle, hercules & love affair, auntie flo..

a year after floyd lavine & david mayer served up the afro house bomb ‘sondela’ from the ep of the same name, it now gets remixed by a carefully selected list of names including jimpster, auntie flo, tunnelvisions and kususa.

supported by ame, auntie flo, danny tengalia, peter kruder, dj aakmael, horse meat disco, jamie trench, loz goddard, ouer

g. markus - recently revealed as ben gomori of monologues records and sterns edits—returns with the fifth volume of his vinyl-only edits series. ‘lifted is a joyous, vocal chopped bumping edit, manipulating and filtering those gospel flavoured samples into a raucous, hands in the air feel good anthem, tied behind a gritty no-nonsense beat. flip it over and panties hits you with a wobbly party jam, full of exuberant guitar licks, fizzing hats and funked out bass riffs - sure to get the heart racing from the off. two killer edits once again from the g-edits camp! dj support: disclosure, hercules & love affair, soul clap, karizma, shadow child, marcel vogel, auntie flo, till von sein, roger sanchez, danny tenaglia, richy ahmed, moon boots, sacha robotti, droog, kraak & smaak, horse meat disco, meggy, kristin velvet, terry farley, hernan cattaneo, mark farina, piek, danvers, coco cole, dom servini, kiko navarro

australian newcomer a most wanted man joins with the monologues records family with a sumptuous debut ep that shows he s very much one to watch. hep cat is a peppy, soulful slow-burner which gradually reveals a triumphant string sample, voice from above is another buoyant beauty with feel-good strings and vocal cuts, and importance of the hi-hat is a more stripped-back slice of warm deep deep house. fellow fast-rising aussie, jad & the, pursues his passion for tonking breakbeats on his remix of the latter, making for a spooky, mysterious workout. dj support: laurent garnier, black loops, jacques renault, danny tenaglia, jazzanova, auntie flo, peter kruder, aroop roy, horse meat disco, red rack em, joyce muniz, art alfie, dj windows xp, nuno dos santos, eli & fur, jamie trench, lorca, vhyce, yokoo, danvers, justin harris, dom servini

g. markus—recently revealed as london s ben gomori of monologues records and sterns edits—returns with the fourth volume of his vinyl-only edits series. eternal on the a-side is feel-good brazilian disco summer anthem, while partee on the flip is slinky little soulful jam. look out for more from him this year on gator boots and something happening somewhere... support: black loops, jacques renault, auntie flo, till von sein, danny tenaglia, roger sanchez, souldynamic, de gama, dom servini, horse meat disco, vhyce, sacha robotti, terry farley

highlife throws a curveball for its next release with a piece of kwaito from south africas dj call me. a track sweeter than irn bru, we first stumbled across marry me on the radio by the new york dj, sadaf. after a quick search, we found it on youtube with over a million views, only to discover it had been track of the summer(s) back in south africa at the start of the decade. almost a searching for sugarman moment. the track wasn’t available to buy in any kind of format, and so began an elaborate quest to track down the artist via his defunct facebook page. after many an unanswered email and a couple of years persistence, we finally managed to track down a manager still in touch with dj call me, and we’re now involved in some regular whatsapp exchanges with the man himself. after showing it to a select group of dj pals, it began to show up on the id of music facebook group, courtesy of plays by the likes of axel boman, hunee & kornel kovacs. last summer, auntie flo and andrew played at a wedding in beirut and this track got such a massive reaction that weve been dying to share it with you ever since