‘Ovale’ proudly contains the kind of middle section switch up that just swipes chunks at you on the dancefloor. By replacing the woody texture of the kick with an aerated boom that works the lower frequency range, it’s a groove that swallows you whole, propelling you to embrace and celebrate the return of that top end toting kick drum. The A-side ‘Red Mask’ works itself around the same punchy kick but it ramps the propulsion factor up a notch; taking stock a little of the intensity of footwork’s drums and vocal chops, the Belgian twosome keep it grounded very much at a techno pace. A much more insistent drum beat will up the listener’s kind of fidgety neck spasms but behind the drum beat everything’s built a lot more subtly. There’s the bumbling acidic bassline, the extended reverberations of the vocal samples and then this little ominous sounding winding synth line that appears at the breakdown, rides the break for 8 bars and the returns as a ghostly incarnation of its former self.