Releases from artist / Veröffentlichungen von : Unquote

unquote is the guise used by russian electronic music producer vsevolod ermakov. he joins a trend of exciting new producers from eastern europe delivering a new interpretation of experimental drum & bass and dubstep. he has, to date, clocked up releases on some of the scenes most forward thinking labels, including a single on med school and releases on hospital and influenza media. he has also been tipped as one to watch by london electricity on the acclaimed hospital podcast. cold tenderness is, as the title suggests, an emotional and melancholy piece of ambient dubstep. its stirring synths and haunting vocals create what is, quite simply, a breathtaking track that you will want to play again and again. the flipside sees edinburghs finest dfrnt on remix duty giving us a glimpse of what is to come on his forthcoming extended player on nu directions later in the spring.

straight from the musical hotbed of saint-petersburg in russia, we are delighted to introduce yet another exciting new talentË introducing unquote!
fans of hospital and med school will have already caught a glimpse of his scintillating and seductive electronic sounds on >the future sound of russia< and >remix your mind< eps.
if these somehow passed you by, make sure you check out his stunning debut med school single!

while the tempos may vary from one track to the next, from chillout to dubstep to chilled drum & bass, the uniting thread is the deeply melancholy sounds from the icey synths to the hazy voices of longing. includes their stunning single hide your tears because we are in heaven.

med school celebrates graduation with a massive compilation on triple 12 inch plus 1x 10 inch vinyl, all housed in a gatefold sleeve.

one would be curious as to what a track such as this one would sound like. images and visuals floating through your head as you press play, the airy, angelic pad intro induces you into a trance-like state before soothing piano lines and a pitched-up vocal reminiscent of the early hardcore era takes you away. as the drums come in with a half-time feel, it is easy to imagine japanese taiko drummers playing their part. once the break takes hold, a short span of melodic heaven uplifts before the drums take control again.